| The New Vaudeville Band could almost
    be described as the band that never was- or at least nearly never
    was. They were almost entirely the brainchild of Tin Pan Alley
    songwriter Geoff Stephens. He had written a good song, 'Winchester
    Cathedral' and thought it would sound best if played in the fashion
    of a 1930s dance band. So he hired a group of session musicians
    and recorded it. The idea of an old jazz band wasn't new; an
    established band- the Temperance Seven- had played similar old
    time music four years or so earlier, but Geoff's record was an
    enormous success. In fact it was so successful that it reached
    #1 in the USA, and #2 in Germany. Unfortunately, following this 
    sudden high profile, Geoff was expected to take his band on concert 
    tours! Musicians were quickly gathered together
    largely through the efforts of Henri Harrison- including a vocalist,
    Alan Klein, who had not been on the original hit (sometimes alleged to
    be John Carter from the Ivy League/ Flowerpot Men,  but I am assured 
    that it was John Smith that did this session, a singer who called 
    himself Bobby Dean at the time- nevertheless probably better known 
    as 'John Smith and the New Sound' especially in France and Germany 
    where they had some success on vinyl in their own right). To cloud 
    the issue the new singer was cast as 'Tristram- Seventh Earl Of 
    Cricklewood'. This was presumably designed to sound ultra-English 
    for the American market. Alan Klein and the band went on the road, 
    while Geoff stayed in his office in Denmark Street to keep  writing 
    the songs (he probably did so with an English travel book by his 
    side!) and the band managed to squeeze out a few more hits before 
    the novelty wore off. The band became a particular success in America 
    and spent most of its later existence there, finally breaking up during 
    the 1970s.  |